Mr. Neil,
I DVR'd yesterday's installment of Sunday Morning and after zipping through it back and forth multiple times cannot seem to find you, though the description indicated the correct episode. Was it bumped to next week? Have you been sucked into an alternate Neil-less universe?
A concerned reader,
Mary
I'm afraid it was bumped by the Fort Hood Massacre.
I checked: The profile CBS did of me is apparently still going out, probably some time in December, although no-one seems certain when. I was told that we could help ensure that it is broadcast (and possibly make it come out sooner than December) if CBS think people would actually like to see it. Which means that if you do want to see it, you can help the process along if you write or email CBS and (politely) tell them so:
ADDRESS:
CBS News Sunday Morning
Box O (for Osgood)
524 West 57th St.
New York, NY 10019
E-MAIL: sundays@cbsnews.com
...
Dear Neil Gaiman, I ask for half-a-moment of your time (I would not presume to ask for more). This Spring 2010 I am teaching a Topics in Literature class on YOU at Winona State University (Eng 225: Neil Gaiman). Easy enough to select representative novel (American Gods), short stories (Fragile Things), children and YA (Graveyard Book), but here's the rub: I will likely only assign one Sandman graphic novel to students. I have been debating which is most representative, most worthy of inclusion, most amenable to class discussion and student scholarship. Then I thought I'd ask you. I know you suggest above that, for questions of this sort, we consider you a dead author, but I know you're not. When I came to a similar impasse about which of Ursula Le Guin's works to include in another class, she actually replied and offered her input. I extend the same offer to you: which of the Sandman volumes would you like to see on the syllabus?
Thank you for your time,
Nicholas Ozment, English Instructor
WSU
It's a hard one. I think if I were teaching I'd either go for Season of Mists or Fables and Reflections, because both of them have stuff to teach -- those nice chewy bits that people can like or dislike, argue with or discuss. I know a lot of teachers like to teach Dream Country because a) Midsummer Night's Dream won awards, and b) it's short and c) it has a script in the back. Your call. And good luck.
...
I mentioned recently that there were some beautiful new Polish and Russian book covers for my books that I'd seen at signings, which got me thinking. The International Cover gallery on this website is incredibly out of date.
It's at http://www.neilgaiman.com/p/Works/Books/I
And though I get a lot of foreign editions in, and will at some point head down to the basement and rummage around and scan some (this week's mail brought the two-volume Japanese edition of Anansi Boys, on the cover of which Fat Charlie is not only Very White, but also Very Thin, and the complex Chinese - ie. Taiwan and Hong Kong - edition of The Graveyard Book) I thought that blog readers, being, as you are, all over the world, might be a better resource for knowing where to look for foreign covers.
(Also, Absolute Death was published this week. It is amazingly beautiful. Yes, I think they overpriced it too and no, pricing decisions at DC Comics are nothing to do with me. And the audio book of Good Omens will be released tomorrow. It's read by Martin Jarvis. People have asked why it is not read by me, and I have to explain that it is because if I read it I would just be doing my Martin Jarvis reading the William storiess impression, so better by far to have the real thing.)
Was your basement finished when you purchased your home or did you have it finished for your basement library? If you finished it yourself, how difficult was it? Also, I thought I saw a dehumidifier in one of the Photosynth pictures. Do you need one because of the books?
I'm asking because we have a full unfinished basement that we would like to have finished. We are running out of room for our books also. I don't think we don't have as many as you do though. :)
Any other suggestions for such a project would be greatly appreciated!
Thanks,
C.
No, when we got here the basement had a clay floor that puddled when it rained. We hired some nice builders and spent a lot of money finishing it, putting in drainage tiles, underfloor heating and all. There's a dehumidifier there in the summer and a humidifier in the winter, because after the first few years I noticed that binding glue and leather book covers were both cracking and flaking. There's now the equivalent of a large house in basement rooms beneath this house, filled with books and CDs and suchlike stuff.
And finally, a few photos from the China trip, taken by Ian Ford (or in one case, on his camera). Ian's a travel guide who now lives in China who helped organise my travels, and came along with me for part of the journey.
Amanda and I in the silk clothes that my publisher had given us as a thank you for coming, and because they are terrific.
Amanda, Ian Ford (in the pale top, also a gift from my publishers) and.. my publishers, SF World -- who will be publishing the mainland Chinese edition of The Graveyard Book very soon, and are very excited.I'm holding the Galaxy Award for this year, given to the foreign author most popular with Chinese reader-voters. This was my second year of winning it, so I have retired from the competition and said that they have to find a new favourite foreign author now.
Whether you're in the mood for a creative challenge or you're short on time or attention span, this semi-addictive community is perfect for those who find flash fiction way long. Once you get the hang of it, you won't be able to stop. The prince turned into a frog. The girl ran home to mother. Tough to write. Easy to read. It's a double threesome of fun.
Delicious, ambitious, and occasionally nutritious dishes make for an eclectic, all-you-can-eat feast. Whether you're searching for recipes for your next dinner party or you're jonesing for a late-night brownie fix, your cravings are sure to be well sated. A warm and inclusive community that welcomes all orientations, from carnivores to vegans, from gourmands to junk-food junkies. Guaranteed bias-free, food-positive, and pan-epicurian.

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A big part of me will forever be defined by the worst thing that ever happened to me.











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Hi Mr. Gaiman,
I was disappointed today to read you won't be part of the judging for The Graveyard Book contests. My not-wealthy, middle-of-nowhere bookstore just sent in its entry, and something we're concerned about is the fairness of judging.
For example, independent bookstores like Powell's (I'm sure you know) easily have enough money and are in a convenient enough location to ask you to come at one time or another. Against stores like that, who were able to put more money into their parties, we stand little chance.
I don't think that it's a lost cause for us; we were very creative. I'm just nervous to know you won't be judging. Can you tell me whether you think the judges will take things like size and location of bookstores into account? It would make me sleep a little easier until the results are announced.
Tusen takk,
Allison
Well, per the rules, the judging is based on:
(i) Overall creativity of the Party, as demonstrated by the invitations, signage, decorations, activities, entertainment, and refreshments.
(ii) Customer attendance and response (i.e., enthusiasm, costumes, participation).
(iii) Ability to capture and represent the spirit of The Graveyard Book.
...specifically to reward creativity, and not the ability to outspend other shops. (That was also why the party had to actually be at the bookshop, and not at another location.)
I asked my editor, Elise Howard, and she said,
Gosh, yes. Here's what we think is happening. We are looking at all the entries. On Monday, we'll send you the best 11, from which you will choose the Grand Prize Winner. The rest will get the first-prize package. So the short answer is that you ARE helping to choose.
The longer answer is that we will be very fair and will consider creativity, which includes work done with available resources, along with pure execution. (Don't you think? We haven't done anything yet; still waiting for more entries to come in.)
...which means that
a) I was wrong and will be the ultimate judge, from the shortlist. (Damn.)
and
b) everyone's on a level playing field.
Does that help reassure you?
PS -- Widgett's Graveyard Book Dessert competition winners have been announced over at http://www.needcoffee.com/2009/11/06/gra
This one had NOTHING to do with me at all. But lor' the winning desserts look tasty...
I've been struggling lately to turn a lot of ideas I have into actual stories. I kind of feel like my writing mojo has taken a temporary leave of absence, and the harder I look for it, the harder it is to find. It has been incredibly frustrating.
This morning, in Warren Ellis' BAD SIGNAL e-mail, he said:
At least half of all writing involves just sitting and staring into space. Letting your brain out to hunt down ideas, bringing them back all warm and bloody between its teeth.
This is something that I knew to be true, but had temporarily forgotten. As writers, it's vital that we meet our deadlines, of course, but we also have to build time into our work schedule to read books, take walks, visit doctor whisky, play with our dogs, and do the other things that may not look or feel like work, but are integral to our creative process.
Thanks for the reminder, Warren, I needed to hear that.

The Wedding Cake Test - What does your favorite wedding cake say about you?
And, of course, although I posted it before, it bears repeating that you can watch the film that Steven-Charles Jaffe made of the "Dark and Silly Night" comic Gahan and I did for art spiegelman and Francoise Mouly's Little Lit at the New Yorker site, or here:
And if I'd been here for Hallowe'en I would have posted it here then. Which reminds me, The Graveyard Book party season is over. Over thirty independent bookshops had Graveyard Book parties (The ABA's Bookselling This Week reports on thirteen of the parties -- and the shops -- at http://news.bookweb.org/7149.html.) The very best one of all will get me in their shop doing a signing in December and, looking at these thirteen, I am very glad I am not any kind of a judge for the awards.
My only hope is that the shop that wins will be somewhere warm. But most of the places on the party map will be just as cold by December as my house. (Vague and only climate-based relief that HarperCollins said No to Alaska in the rules mingles with vague and selfish disappointment that they also said No to Hawaii.)
It looks like the CBS Sunday Morning profile on me is going out this Sunday, the 8th, 9:00-10:30 AM, ET. According to this website:
Correspondent Serena Altschul visits author Neil Gaiman -- the tender-hearted master of the macabre -- whose books, including Coraline and The Graveyard Book have topped best-seller lists for 25 years.
.. which left me wanting to go "I am NOT a tender-hearted master of the macabre, I am in fact VERY SCARY INDEED," but I suspect I would convince nobody.
Thrilled to see that Odd and the Frost Giants was listed as one of Amazon.com's Best Books of 2009. While I was in China The Graveyard Book was listed as one of the ALA's teens top ten for 2009 as well, an award voted on by over 11,000 teens. (And I made it onto the list with lots of other good people.)
Also, Fragile Things was awarded the French 2010 Les Grands Prix de l’Imaginaire Award for translated short fiction. My thanks to the judges, but mostly to the translator, who in this case is the incredibly talented Michel Pagel. If I ever look good, do well, sell books or am popular in a foreign country, it's because of the translators, and they never get enough thanks or acclaim. And I think I'll post the cover here, because I never have.

I am becoming hooked on http://curiousexpeditions.org.
I was extremely disappointed by the news on the current status of Argleton in Lancashier, especially so since I was hoping to buy a house there. I was going to move to Chako Paul City in Sweden instead, but appear to be the wrong gender and orientation. So probably I'll stay home.
I was wondering if you would be so kind as to mention an upcoming art auction on your blog. The art auction is “art for hearts”. It is an auction of artwork donated by children’s illustrators such as Korky Paul, Lynne Chapman and An Vrombaut. Most of the artwork is original although there are also some signed digital prints and screen prints too.
All proceeds from the auction will be donated to help fund research by the transplant team at Great Ormond Street Hospital. Transplanted organs do not have the same life expectancy as non-transplanted organs and the transplant team is looking at finding ways to combat this.
Full details of the auction are available to view at http://art-for-hearts.
It will run on Ebay for a week starting on the 2nd of November. To locate the items people will need to type "art for heart" into the search area and choose "Art" or "books" for items.
Many thanks,
Kristine Stacey
You're welcome. I think this link has everything for sale in the auction: http://shop.ebay.co.uk/scrawldog/m.html?_

The empire strikes back
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When I wrote my w00tstock post, I totally forgot to mention that we put some video interludes into the show, to make sure that we were giving the maximum A/V Club experience to the audience.
There were some very funny shorts, including Mister Bungle getting the Riff Trax treatment, the credits for Jonathan Coulton's television series, Monkey Shines, (that was cancelled after the first commercial break), and this parody commercial for Trader Joe's, which is exceptionally hilarious if you've ever shopped there:
I also neglected to mention that Kid Beyond wrote a book of puzzles he created called BOGGLE Crossdoku, and Molly Lewis has a CD of her kickass music ... you know, because it's getting to be that time of year when people typically give gifts to other people.
Also, whenever I say "...forgot to mention," I have to say "BEWARE OF HITCHHIKING GHOSTS!!1"

What Fall Fruit or Vegetable Are You Most Like? - What part of autumn's bounty are you most like?
... or discussion of the pomegranate crop, counted as politics. It made my journey even stranger than it might have been already.
In the Russian market in Urumqi I bought a new camera I don't like anywhere nearly as much as my old, sporadically-vibrating one.
More photos of China and Singapore in my next post, I hope. In summary: Singapore was wonderful, but the visit was much much too short: we were there for about 50 hours altogether. Once again, the food was amazing and the people delightful.


(Middle photo of the amazing bubble by Miss Holly Gaiman. Who is fundraising.)...
Back in the old days, before Twitter exploded into the phenomenon that it is now, I got a message from Greg Grunberg. Greg plays Matt Parkman on Heroes (this information, which most of you don't need, is provided as a public service to the seven of you who do), and has been in every JJ Abrams project since JJ started making movies in the pre-old days.
Greg and I traded several messages about a bunch of different things, and then he sent me a private message that said something like, "JJ needs voice actors for Star Trek. Would you be interested in doing that?"
"Well, let me think about this for .00005 seconds," I thought. "I love Star Trek, I love voice acting, and ... why am I still thinking about this?!"
I replied in the affirmative as quickly as my fingers could get the thoughts out of my head.
Shortly after I sent my reply, I had a different series of thoughts that went something like this: "This is way too good to be true. This has to be a prank. Someone is fucking with me and I'm going to be the butt of a pretty mean joke." But then I had still another thought: "I'm not famous enough to be Punk'd, and Greg Grunberg doesn't seem like the kind of person who would do something mean, anyway." I was, as they say, cautiously optimistic.
About 24 hours later, JJ Abrams called me. It was an entertaining conversation; I couldn't believe he wanted me to do work on his film, and he couldn't believe that I wanted to do it. He asked me if I'd be interested in playing some Romulans, and I think I held my hand over the phone so he couldn't hear me squeal in delight before I calmly told him that, yes, I thought I could do that. I don't recall precisely why, but we agreed that it would be extra cool to keep it a secret until the heat death of the universe, an uncredited bit of awesome that only a handful of people in the world would know about ... unless we told them. (In fact, as far as I know, only a dozen people in the world knew about this until some meddling kids and their dog at Viacom found out about it this summer, and said we had to give me credit and stuff.)
I met JJ at an ADR stage a few days later, where he told me the entire plot of the movie (and, for the record, hearing JJ Freakin' Abrams tell you the plot of his Star Trek is even more awesome than you'd expect) and showed me some of the scenes that I'd be dubbing. I ended up providing voices for all the Romulans on Nero's ship, including the guy who tells him that "it's time" at the very beginning of the movie. (Yeah, how cool is that?)
I was distracted for the first 15 or 20 minutes before we started work, because I kept expecting someone to come out from behind a screen with a camera to laugh at me, but when I was given my dialog and recorded my first take, I knew that it was really happening.
I thought it would be really hard to keep my squee under control, but when I stood there in the darkened ADR stage, three pages of dialog in front of me, sitting in the soft glow of a single dim light clipped to a music stand, I was able to put my inner awkward superfan into check long enough to be a professional actor. I mean, I was working for JJ freakin' Abrams on Star frekin' Trek, so maybe I could rise to the occasion, you know?
We recorded dialog for about an hour or so, I guess, and when we were finished, JJ invited me to come with him over to the mixing stage, where he was going to watch a reel of the film.
Um. Okay. Yeah, I think I can do that. I texted Anne something like, "Probably never coming home again. I'm going to stay here with my new best friend JJ Abrams and watch as much of Star Trek as he'll let me."
So you know that scene where Kirk climbs out of the pod, runs away from the monster, and eventually meets Spock Prime in the cave? I got to watch that scene over and over, as they made the wind sound colder, then warmer, then colder and more fierce. I got to hear the roar of the monsters deepened, softened, made more terrifying, made louder, made softer. I got to hear the fire in Spock Prime's cave crackle more, then less, then more again, because the wind outside was now colder and more fierce, so it should probably be a warmer fire.
It was one of the coolest things in the world to watch, not just on screen, but in the room, too. The way JJ interacted with the other creative people in the room as they mixed the sound, the music, the foley, and everything else that we tend to just take for granted when we're in the theatre watching a movie was just fascinating. I don't know if all directors are like this, but he didn't let a single second go by like it was any less important than another.
Sooner than I'd would have liked, though, I began to feel like I was just hanging out, and even though I knew I could have stayed longer and watched more, I decided that it was best for me to leave before I overstayed my welcome.
JJ and I thanked each other, talked the way you do in Hollywood about maybe working together again in the future (ohpleaseohpleaseohplease oh please, Steve the Fruitbat, please make that happen) and I walked down the now-dark streets of the studio toward my car. I kept it under control until I drove out of the lot, at which time I bounced around in my chair like ... well, like a guy who loves Star Trek and just got to work on Star Trek would bounce around.
They digitally-altered my voice to sound like different people, but when I saw the movie, I could definitely tell that it was me underneath the effects. In fact, there's one moment near the end of the movie where one of the Romulans is yelling at Nero, and it's my plain old voice without any alterations. I bounced in my seat when I saw that in the theater just like ... well, you know.





